Showing posts with label Identity. Show all posts
Showing posts with label Identity. Show all posts

Tuesday, 29 October 2013

Context of Practise 2: Seminar Notes and Study Task 3- Identity

Following from the Lecture we had on the topic of 'Identity', we went onto looking at Identity and 'The Other' in Visual Representation:

-Pseudo-Science- Identity is based on physical traits- Essentialism (A form of innate characteristic- e.g.. born virtuous

-Digital Identity- Escapism- can become anybody- this fluidity allows for opportunity for reinvention

-Identity- Who we are and how others perceive us

Identity Creation:

We went onto making a list of: Factors that make you you?
  • Lifestyle
  • Life Experience
  • Personality Traits
  • How You've Been Brought Up/ Where You Come From
  • Parents/ Socialisation
  • Money
  • Environment/ Era
  • Marital Status
  • Diet
  • Physical/ Social Determinants and the Diabetic Relationship between them
  • Education
This followed with a list of: How do you express your Identity?
  • Physical Features
  • Manner
  • Hobbies and Interests
  • Possessions
  • Fashion- Expression and Defence against People
  • Brands
  • Social Interactions- Values, Mannerisms, How you Treat People (Not what you Say but what you Do)
  • Accent
  • Social Circles
These are all Subjectivities- complex and multi-determined by society to make our own sense of self (our own creation)

"Circle of Culture Diagram by Stuart Hall:

"Circle of Culture Diagram by Stuart Hall
Woodward, K. (1999) "Identity and Difference", Sage: London
Culture is the framework within which our identities are formed, expressed and regulated

There are 5 Sub-Cultures which effect our identity:
  1. Laws and Regulations in how we exist- Limitations of Society
  2. Consumption and buying which effects how we are Represented
  3. Representation is effected by what we buy and how we present ourselves to the rest of Society
  4. Production towards having a job or a role in society- How you Contribute
  5. Identity- what you are expected to buy or have- The Stereotype and what is expected from you
Identity Formation:

Jacques Lacan
  • Identity is solidified through Childhood
  • "Otherness" Concept
  • Process of Psychoanalysis
  • When you are born, you have no comprehension as to being a separate being from your Mother. This symbiotic link was called "The Hommelette" in regards to the scrambled mix of body parts not understanding each other
  • "The Mirror Stage"- At 6-18 Months, you realise that by giving signals, you can get a response back, such as by Smiling, you get a Smile back. The outside worlds reaction to us and what we do. Eg, Baby crawling past a mirror and seeing a sense of itself as a cohesive being (Metaphor)
  • Our Identity is formed from the reaction of others and not how we want to be seen
"Mirror Stage"- Sense of Self (Subjectivity) built on:
  • An Illusion of Wholeness
  • Receiving Views from Others
RESULT= OWN SUBJECTIVITY IS FRAGILE AS WE ARE CONSTANTLY TRYING TO STRIVE FOR A STABLE IDENTITY

Constructing The Other:

To make our Identity seem more solid, we remove ourselves against what we are not

Problems: Relies on the assumption of opposites and radical otherness. In the same way that we create our own identities- in opposition to what we are not, so does a Society 
E.g. Speaking in Recieved Pronunciation to say you are from a higher class rather than with an accent with dropped vowels of working class to make you seem better off- making our sense of self more better and defined.

Identification:

Shores up unstable identities through the illusion of unity- 'showed fashions, belief systems and values'- Subterranean Values (Matza, 1961)

IN A STATE OF CONSTANT CRISIS, WE HAVE TO CONTINUE TO RE-INVENT OURSELVES

Study Task:

Analyse 1 image from the Western Media (Newspaper or Music Subculture Music Press Story or Advertisement) which attempts to secure to give an identity to the reader by "Othering". What does the image promise you by stereotyping and creating the 'Other'. Needs to be Approx. 300 Words.

"Loose Your Love Handles For Life" (2013) by Drew Price
Mens Health Magazine (2013) "Fuel Your Goals Nutritional Manual" Mens Health Magazine Pull-Out Booklet, September 2013 ed,. page 5 
These pages are from an article within a copy of 'Men’s Health' Magazine which discusses the need to loose weight, entitled 'Loose Your Love Handles For Life' showing an image of a thin cut, skinned carrot. On the opposite page is an advertisement for Weight Loss Powder showing a rather toned male figure.

The readership for the magazine is quite a focused target audience towards health-conscious males between the ages of 20-40 so the article automatically targets the audiences want to re-invent themselves by using the visual of the thinned carrot to show the audience what they can achieve and the identity that they can become. The fact that the advertisement opposite is propositioning the audience with a weight loss supplement instantly reminds the audience of how our identity is formed from the reception of others which is affected by the way that we are seen and how we look, encouraging them to partake in the pursuit for a healthier body and, in conjunction, a stable, better and more defined identity.

The imagery promises the reader that by following the rules in the article, you can create an identity of power and strength, which no other will match, particularly as the article promises the loss of weight ‘for life’. It attempts to provide a secure identity for the reader by suggesting how they can better themselves by loosing weight and therefore gaining a stronger sense of self. This sense of inclusivity gives the illusion of there being ‘otherness’ towards those who do not re-invent themselves in this way, such as over-weight people or those who do not exercise, with the language choices of ‘maximum strength’ and ‘ultimate body’, emphasizing how the followers of this magazine are bettering themselves and stereotyping those who don’t as lazy or comfortable with being a lesser version of themselves. This makes the readership see themselves as a higher class of human as they want to achieve perfection, shown to them through the image of the toned masculine body on the advertisement opposite.


Word Count: 337


Thursday, 24 October 2013

Context Of Practise 2: Lecture Notes- "Identity"

Thursday 24th October 2013
"Identity"
James Beighton 

Essentialism:
- Our Biological make up makes us who we are
- We have an inner essence that makes us who we are
- Post Modernists are against Essentialism

Physiognomy and Phrenology:
- How people would read identity- In every human being, the brain was made up of sections of the
  perfect amounts of everything
- Cesare Lombroso (1835- 1909)
    - Founder of Positivist Criminology
    - The notion that criminal tendencies are inherited
    - Imperfect characteristics connote criminals
- Fredrick Nietzsche
    - Wrote the book called "Superman" which introduced the concept of the "Blonde Hair, Blue Eyed
       Monster"
    - Same notion the Nazis had with the need of a perfect race being blond and blue eyed
- "Christ Carrying The Cross" (1515) by Hieronymous Bosch
     - Archi-type of Jesus and Mary being European
     - Suggesting the Jewish around Jesus are animalistic and saw him to his death
- "Holy Virgin Mary" (1996) by Chris Ofili
     - Gives a voice to the African Community
     - Mary isn't the beauty that she is expected to be

Douglas Kellner identifies 3 Areas of Identity:
  • Pre-Modern- Stable identity defined by long standing roles
  • Modern- Wider range of social roles so you can choose your own rather than being born into it
  • Post Modern- Accepts a Fragmented self- Be who you want to be
Pre-Modern:
- Institution defines Identity
- Secure identity determined by the related institute with vested interest e.g.. The Solider and the
  State

Modern (19th-early 20th Century):
- "The Painter of Modern Life" (1863) by Charles Baudelaire
     - Introduces the concept of 'The Flaneur' (the Gentleman- stroller)
     - It was important to be seen- Patriarchal System
     - Showing what one owns to the masses
     - Class Structure- those who don't need to work

"Conspicuous Consumption of Valuable Goods is a means of Reputability to the Gentlemen of Leisure"
- Veblen

Georg Simmel's 'Trickle Down Theory'
- Emulation by Lower Classes to imitate the upper classes
- Distinction of the Upper Class to show their status
- 'The Mask of Fashion'- hiding behind what you wear

"The feeling of isolation is rarely as decisive and intense when one actually finds oneself physically alone, as when one is a stranger without relations, among many physically close persons at a party, on the rain, or in the traffic of a large city."
- Georg Simmel

- Notion of alienation within society- even in closer quarters, we get lonely
- Because of the speed of Modernity, individuals draw into themselves

Post Modern:
- Discourse Analysis by Michel Foncault
- Set of Re-occuring statements that define a particular cultured object, e.g.. Race, Education, Class,
  Age, Gender, Criminality, Madness
- Our identity is culminated out of discourses culturally available to us

Discourses to be considered:
  • Class
  • Nationality
  • Race/ Ethnicity
  • Gender and Sexuality
Class:
- "Work Town Project" (1937) by Humphrey Spender/ Mass Observation
     - Photographs document the belie (everyday) for the Working Class- observing Britain
     - Loaded assumption of Working Class from the perception of the Upper Class
- "New Brighton, Merseyside" (1983-6) by Martin Parr
     - Celebrating Britishness
     - Condescending way of showing Working Class- Self Congratulatory by the Upper Class
- "Ascot" (2003) by Martin Parr
     - Acting out parts in a game called Society
     - Lower Classes playing the part of the Upper?

Nationality:
- "Think of Germany" (2002) by Martin Parr
     - Long-standing Rivalry- sexual over-tones of the representation of Germany
- "Highland Rape Collection" (1995-6) by Alexander McQueen
     - Political statement between Scotland and England
     - Playing on his Heritage
     - Rape of Scotland by the English- Sensationalised
- Las Vegas
     - American identity appropriated from elsewhere so it has no true identity
     - It is a Microcosm of its own

Race/Ethnicity:
- "No Woman No Cry" (1998) and "Captain Shit and the Legend of the Black Stars" (1994) by Chris Ofili
     - Perception of Black People in the media
     - References of culture in title and colour scheme choices
     - Used Elephant dung based on Stereotype
     - Giving a voice to Black Society
-  "Signs that say what you want them to say and not signs that say what someone else wants you to say" (1992-3) by Gillian Weaving
     - How people felt at the time 
     - Witty, Amusing and saying something about Society 
- "It's A Jungle Out There" (1997) by Alexander McQueen
     - Use of Black Models, Horns and Animal Prints and Skins
     - Colonialism and White Supremacy throughout History
- "Dress" by Emily Bates
     - Identity of being Scottish and Red-Haired
     - Ginger stereotype due to the reputation of Mary Madelene

Gender and Sexuality:
"The Fashion Industry is the work not of women but of men"
- Edmund Bergler (1950's)

- "Garconne"(1926) by Welly Soeurs
    - Use of French feminine ending 'ne' on a masculine word meaning 'boy'
    - Androgynous and looking like a boy
- "Untitled Film Stills" (1977-80) by Cindy Sherman
    - Mask of Femininity
    - Stereotypes of females within movies- fragility, looking pretty for the camera
    - Male perspective
-  "Au Naturel" (1994) by Sarah Lucas and "Everyone I have Ever Slept With"(1995) by Tracy Emin
    - Playful connotation of title- seen by society as a slut
    - Representation of women

The Post Modern Condition And Theory:
- Identity constructed through social experience
- Erving Goffman (1959) saw life as a 'Theatre" made up of "Encounters" and "Performances"- the
  self is a series of Facades

"Something to be invented rather than discovered; as a target of an effort, an objective"
- Zygmunt Bauman

- Celebrating how bad somebody else's life is to make you feel better about your own
- "I think therefore I am" (1637) by Rene Descartes
- "I shop therefore I am" (1987) by Barbara Kruger
    - Defined by what we buy and consume
    - Superficial identity in Modernity

"The family trip to the shopping mall is the present day incarnation of the sacred"
- Zygmunt Bauman (2004)

"Identity is a hopelessly ambiguous idea and a double-edged sword"
- Zygmunt Bauman (2004)